IVAN ARKHIPOV
 
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  • ARTWORKS
  • PROCESS
  • CATEGORIES
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  • EXHIBITIONS
  • ANIMATION
    • A WALK
    • TEMPTATION
    • ЖАТВА
  • VIDEO
    • DANCING WITH THE STONE
    • KUNSTPOINT
  • DRAWINGS
  • ARTIST INFO
  • CONTACT
 
 
  • MAIN
  • ARTWORKS
  • PROCESS
  • CATEGORIES
    • All
    • Big size
    • Medium size
    • Small size
  • EXHIBITIONS
  • ANIMATION
    • A WALK
    • TEMPTATION
    • ЖАТВА
  • VIDEO
    • DANCING WITH THE STONE
    • KUNSTPOINT
  • DRAWINGS
  • ARTIST INFO
  • CONTACT

ПРОБУЖДЕНИЕ
Ivan Arkhipov
solo exhibition
FUTURO gallery
Moscow
2025
Photo: Anna Arkhipova, Andrey Velichko, Ksenia Dashkova
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ПРОБУЖДЕНИЕ
Ivan Arkhipov
solo exhibition
FUTURO gallery
Moscow
2025
Photo: Anna Arkhipova, Andrey Velichko, Ksenia Dashkova
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НОВАЯ ЖАТВА
Ivan Arkhipov
solo exhibition
Na Peschanoy gallery
Moscow
2024
Photo: Anna Arkhipova, Irina Kara
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НОВАЯ ЖАТВА


НОВАЯ ЖАТВА
Ivan Arkhipov
solo exhibition
Na Peschanoy gallery
Moscow
2024
Photo: Anna Arkhipova, Irina Kara
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ЖАТВА
Ivan Arkhipov
solo exhibition
159F Gallerie
Cube Moscow
2023
Photo: Anna Arkhipova
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ЖАТВА


ЖАТВА
Ivan Arkhipov
solo exhibition
159F Gallerie
Cube Moscow
2023
Photo: Anna Arkhipova
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Танцы с камнем
Dancing with the stone
Ivan Arkhipov
solo exhibition
"Na Peschanoy" gallery
Moscow
2022
Photo: Irina Kara
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ТАНЦЫ С КАМНЕМ


Танцы с камнем
Dancing with the stone
Ivan Arkhipov
solo exhibition
"Na Peschanoy" gallery
Moscow
2022
Photo: Irina Kara
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与石共舞
Dancing with the stone
Ivan Arkhipov
solo exhibition
Qiaozi Art Comune
Shangyuan Art Museum
Qiaozi County, Huairou District, Beijing city, China
2019
Photo: Anna Arkhipova
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DANCING WITH THE STONE


与石共舞
Dancing with the stone
Ivan Arkhipov
solo exhibition
Qiaozi Art Comune
Shangyuan Art Museum
Qiaozi County, Huairou District, Beijing city, China
2019
Photo: Anna Arkhipova
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TEMPTATION
solo exhibition​​​​​​​ by
IVAN ARKHIPOV
sound: TRETBAET
CCI Fabrika

Moscow 
2019
Photo: Anna Arkhipova
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TEMPTATION


TEMPTATION
solo exhibition​​​​​​​ by
IVAN ARKHIPOV
sound: TRETBAET
CCI Fabrika

Moscow 
2019
Photo: Anna Arkhipova
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UNTITLED
Photo report by ANNA ARKHIPOVA

Artists: Ivan Arkhipov & Rustam Sherifzyanov
Piranesi lab
Moscow
2018
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UNTITLED


UNTITLED
Photo report by ANNA ARKHIPOVA

Artists: Ivan Arkhipov & Rustam Sherifzyanov
Piranesi lab
Moscow
2018
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ПЕПЕЛ
Ivan Arkhipov & Rustam Sherifzyanov

KosGallery
Kostroma
2017
Photo: Anna Arkhipova
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ПЕПЕЛ


ПЕПЕЛ
Ivan Arkhipov & Rustam Sherifzyanov

KosGallery
Kostroma
2017
Photo: Anna Arkhipova
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ПУТЬ
Ivan Arkhipov & Rustam Sherifzyanov

Kovcheg gallery
Moscow
2016
Photo: Anna Arkhipova
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ПУТЬ


ПУТЬ
Ivan Arkhipov & Rustam Sherifzyanov

Kovcheg gallery
Moscow
2016
Photo: Anna Arkhipova
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KUNSTPOINT 
Project
 

Ivan Arkhipov and Rustam Sherifzyanov 
  Street art project "Kunstpoint" we began to implement in Dusseldorf in February 2016. We placed etchings in urban space, carefully choosing the place for our works. 
  You are the artist, the manager, and the curator at the same time. You just took your work out, found a place and put it on. And people just come out to the street and watch it. Furthermore, our art initially is a scream, which works best on the street, rather than in gallery, Artists Union exhibition, or at home of some collector.
  Metal plate etching is a medieval technique. Putting this works on the walls of a modern city is some sort of a dialogue with time. Beside of that, everything we see on the streets: advertising, posters, tags is a visual noise. Everything is humming and not making a dialogue neither with citizen, nor with city. We wanted to overcome that noise and to “hear” our works. We also solved a lot of minor questions such as place, color, texture, composition. You can’t avoid this stage.
Düsseldorf, Magdeburg, München, Berlin, Amsterdam, Prague, Paris, Venice, Budapest, Beijing
Photo: Anna Arkhipova
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KUNSTPOINT Project


KUNSTPOINT 
Project
 

Ivan Arkhipov and Rustam Sherifzyanov 
  Street art project "Kunstpoint" we began to implement in Dusseldorf in February 2016. We placed etchings in urban space, carefully choosing the place for our works. 
  You are the artist, the manager, and the curator at the same time. You just took your work out, found a place and put it on. And people just come out to the street and watch it. Furthermore, our art initially is a scream, which works best on the street, rather than in gallery, Artists Union exhibition, or at home of some collector.
  Metal plate etching is a medieval technique. Putting this works on the walls of a modern city is some sort of a dialogue with time. Beside of that, everything we see on the streets: advertising, posters, tags is a visual noise. Everything is humming and not making a dialogue neither with citizen, nor with city. We wanted to overcome that noise and to “hear” our works. We also solved a lot of minor questions such as place, color, texture, composition. You can’t avoid this stage.
Düsseldorf, Magdeburg, München, Berlin, Amsterdam, Prague, Paris, Venice, Budapest, Beijing
Photo: Anna Arkhipova
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